"The old one will come. When he comes, his one true wife must carry within her a child of the old one who would be king. Only then can the heart be found and the evil of the world kept in its bounds." –The Prophecy of the Land
Sorann is the queen's daughter and training to be an empathic healer. Javert is a member of the wandering tribe called the Zingari and their future king. When Sorann's failed healer's magic test brings them together, they discover the prophecy governing the land is false. In order to prevent magic, and the Zingari, from being wiped from the land, Sorann must become Javert's wife and leave everything behind that she once held dear.
Tricked by demons, and followed by the queen's soldiers, they must find the fabled Wizard's Heart in the frozen Winter Valley.
What sacrifices will they have to make along the way, and will Javert ever discover the true meaning of the Wizard's Heart before his people and the love of his life are lost?
This is the first book in the fantasy series Tales of the Zingari.
Some thoughts on being an editor, from S. R. Howen
Some thoughts on editing. What is an editor’s job? Sometimes I think, and I have been at this a long time, that new writers don’t have a clue what an editor does, or should do. You send your baby into the world, and fantastic, do cartwheels, you have a contract. Now what? Okay, you read the contract, you understand most of it, so you sign it.
Then you get the introduction letter from your editor. You look forward to the edits and the suggestions that will make your book better . . .
Unfortunately, many times this is the dream of every editor, that we wish every author understood. How did that writer make it to that place where they get the contract—is often the cry of writers? A lot of it has to do with the perception that writers have of an editor.
With the idea that an editor will fix typos, misspelling, word Usage, and grammar as well as punctuation, they send out their manuscript looking like a group of crows stepped in ink. Often when asked, why didn’t you at least run spell check? The answer is: That’s not my job, that’s what an editor is for!
This is what I would like writers to understand, you need to put the best possible effort into your manuscript, it may be a great idea, but if it’s buried under basic errors, you won’t get a contract. You wouldn’t go to a job interview dressed in the clothes you took out of the hamper that you did house cleaning in the day before, so why would you send out a manuscript that wasn’t clean and pressed and dressed neatly?
Writing is a business. You can call it art. But it is a business; it’s not your baby. You may feel you gave birth to the story and you need to love the story to tell it well, but you also need to have some distance from the love affair. To be able to stand back and see the ugly spots in order to fix them.
An editor is there to help you get your vision down on that page, to make it shine, to polish the story until it does. They are not there to take the place of spell check, and basic knowledge of grammar. Yes, we all make mistakes that an editor will find, but don’t think that fixing all of them is the editor’s job.
That’s your job as a writer, a craftsman has all the tools in his tool box to build the house, he doesn’t expect someone else to bring them.
I’m happy to share my tool box on many things, if you have done your work as a writer.
So what do I tell my authors?
No question is a dumb question. ASK!
Everything your editor asks you to do is open to discussion, if you don’t agree with me, present your case. We will talk about it.
Writing is a business. You can call it art. But it is a business, it’s not your baby. So when I say fix this or this doesn’t work, I am not insulting you, I am helping you make a product that will sell.
I will hound you to the seven circles of hell to promote.
I will hold your hand, if need be, and offer a shoulder of understanding if needed, and I will help you promote as much as I can. And I will stand behind you and your book, we will get it in the best possible shape to present to the world—then the real work begins.
S.R. Howen grew up on a farm for the most part, spending part of her childhood as a military brat. The one constant in her life is story telling. She's always been a story teller--not a popular thing to be when you are five.
She's been with Wild Child since 2000 as an author and an editor. Currently, she lives in Texas with her family and assorted citers, 14 cats, 2 dogs, 2 squirrels, and a racoon.
She follows a Native American lifestyle--believing that each thing does indeed have its own spirit, and avoiding processed foods. If she couldn't kill it, catch it, or pick it in the wild, she doesn't eat it. Other than that, she loves fast cars, good writing, and good editors. They are a writer's best friend.
Find more of S.R. Howen here:
Facebook Author’s Page
Blog: Critters at the Keyboard
Author Web page
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Wild Child Publishing
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Critters at the Keyboard . . .
Blog by Imagine
Highland Rogue Writing
There is no Spoon
Shadows of the Past